Speaking Boards
Wax has long served as a substitute for the human body. Early anatomical models in
The modelling of humans in wax blurs the line between the real and unreal.
Museum
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Crafting Bodies
The crafting of bodies is a ritual as old as time. Representing the human form using non-human materials is a foundational feature of storytelling, learning, devotion and novelty.
The Museum of Fear and Wonder presents a new collection of crafted bodies in the form of automatons, mannequins, waxworks, votive figures and medical anatomies. By contrasting these wondrous figures, the barrier between genre and function loosens—allowing the distinction between body and object to do the same.
Crafting Bodies
The crafting of bodies is a ritual as old as time. Representing the human form using non-human materials is a foundational feature of storytelling, learning, devotion and novelty.
The Museum of Fear and Wonder presents a new collection of crafted bodies in the form of automatons, mannequins, waxworks, votive figures and medical anatomies. By contrasting these wondrous figures, the barrier between genre and function loosens—allowing the distinction between body and object to do the same.
Crafting Bodies
The crafting of bodies is a ritual as old as time. Representing the human form using non-human materials is a foundational feature of storytelling, learning, devotion and novelty.
The Museum of Fear and Wonder presents a new collection of crafted bodies in the form of automatons, mannequins, waxworks, votive figures and medical anatomies. By contrasting these wondrous figures, the barrier between genre and function loosens—allowing the distinction between body and object to do the same.
Crafting Bodies
The crafting of bodies is a ritual as old as time. Representing the human form using non-human materials is a foundational feature of storytelling, learning, devotion and novelty.
The Museum of Fear and Wonder presents a new collection of crafted bodies in the form of automatons, mannequins, waxworks, votive figures and medical anatomies. By contrasting these wondrous figures, the barrier between genre and function loosens—allowing the distinction between body and object to do the same.
