top of page
Mary Todd closeup+small.jpg

Wax and Wane:
 Permanence and loss in a historical medium

 

The use of wax as a material substitute for the living body extends back to the funerary rites of ancient Egypt. Emulating flesh to an uncanny degree, wax possesses an eerie sense of depth and vivaciousness when given human form. From votive offerings, to science, novelty, and commercially produced dolls, the wax figure has consistently moved through various forms and functions over time. Almost always, its goal remains the same: to create the illusion of life. 

The Museum of Fear and Wonder collects and preserves fragile waxworks from various defunct museum, medical and novelty collections. Our displays contrast the histories and craftsmanship of these figures, outlining overlaps in the ongoing trajectory of their production, use, and psychological impact. We explore the enduring contradiction of wax's ability to outlive its human counterparts, while also sharing in their deep sense of material vulnerability.

The Museum of Fear and Wonder recognizes, and expresses its gratitude for, its location on the traditional territories of the people of the Treaty 6 and 7 Regions of Alberta, and of the many First Nations, Métis, and Inuit whose footsteps have marked these lands for centuries.

© Brendan Griebel and Jude Griebel

bottom of page